In making the four-channel video work Dachau, my experience as a weaver directly influenced the basic structuring of the work. The content itself was taped in 1974 at the former concentration camp Dachau. The symmetry of the architecture and the present ambience of the space were the focus of the recordings. The past was recorded only insofar as the sounds of the voices of the present commingled with the feeling absorbed in the wood and revealed in the structure of forms which has no amount of time can erase.


p. 75 - Dachau 1974, by Beryl Korot


In making the four-channel video work Dachau, my experience as a weaver directly influenced the basic structuring of the work. The content itself was ...

In making the four-channel video work Dachau, my experience as a weaver directly influenced the basic structuring of the work. The content itself was ...

In making the four-channel video work Dachau, my experience as a weaver directly influenced the basic structuring of the work. The content itself was ...

In making the four-channel video work Dachau, my experience as a weaver directly influenced the basic structuring of the work. The content itself was ...