Any artist worth his salt thinks music far more than he practices. Practice divides the mind between music and the mechanics of managing hands and feet. Inward hearing has its roots in musical thought.
Playing in the Grand Style (1950)
Any artist worth his salt thinks music far more than he practices. Practice divides the mind between music and the mechanics of managing hands and feet. Inward hearing has its roots in musical thought.
Playing in the Grand Style (1950)