"Even the most, 'emotive' view of music has to 'be' emotive 'about something distinct', which necessarily involves having a 'theory' about it, for better or worse, in awareness or unawareness, and that a 'musical' something distinct can be cognitively understood as an "emotional experience" only insofar as it is first cognitively understood as a human-communicative manifestation, as an "instance of thought".

from Meta-Variations: studies in the foundations of musical thought Red Hook, N.Y. : Open Space, 1995.