I'm involved in everything. I read just as I was in the thirties during the Spanish War and Franco and everything. And after all there's not a great deal of difference between the 'Monument to the Spanish War', a group of things one on top of the other, that I lost and 'The family of Man' [she made in 1970]. I mean I've always been involved. I was involved in industry in my home town. I was involved in the distress and the strikes. I wasn't marching but I was involved through my work.

p. 23 - 'Art Talk, conversations with 15 woman artists', (1975)