The product of mental labor — science — always stands far below its value, because the labor-time necessary to reproduce it has no relation at all to the labor-time required for its original production.
Bio: Arlene Louise Croce was an American dance critic. She co-founded Ballet Review magazine in 1965 and served as its first editor. From 1973 to 1996 she was a dance critic for The New Yorker magazine.
