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All true language
is incomprehensible,
Like the chatter
of a beggar's teeth.
Antonin Artaud
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Hell is of this world and there are men who are unhappy escapees from hell, escapees destined eternally to reenact their escape.
Antonin Artaud
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It is not opium which makes me work but its absence, and in order for me to feel its absence it must from time to time be present.
Antonin Artaud
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So long as we have failed to eliminate any of the causes of human despair, we do not have the right to try to eliminate those means by which man tries to cleanse himself of despair.
Antonin Artaud
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When we speak the word life, it must be understood we are not referring to life as we know it from its surface of fact, but to that fragile, fluctuating center which forms never reach.
Antonin Artaud
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Never tire yourself more than necessary, even if you have to found a culture on the fatigue of your bones.
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There is in every madman a misunderstood genius whose idea, shining in his head, frightened people, and for whom delirium was the only solution to the strangulation that life had prepared for him.
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There is nothing like an insane asylum for gently incubating death.
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There are those who go to the theatre as they would go to a brothel.
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Admittedly or not, conscious or unconscious, the poetic state, a transcendent experience of life, is what the public is fundamentally seeking through love, crime, drugs, war, or insurrection.
Antonin Artaud
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I do not like detached creation. Neither can I conceive of the mind as detached from itself. Each of my works, each diagram of myself, each glacial flowering of my inmost soul dribbles over me.
Antonin Artaud
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Excuse my absolute freedom. I refuse to make a distinction between any of the moments of myself.
Antonin Artaud
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For the lost are lost by nature, all your ideas of moral regeneration will make no difference, there is AN INNATE DETERMINISM, there is an undeniable incurability in suicide, crime, idiocy, madness, there is an invincible cuckoldry in man, there is a congenital weakness of the character, a castration of the mind.
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I am stigmatized by a living death in which real death holds no terrors for me.
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Leave the caves of being. Come. The mind breathes outside the mind. The time has come to abandon your lodgings. Surrender to the Universal Thought. The Marvelous is at the root of the mind.
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I see in the act of throwing the dice and of risking the affirmation of some intuitively felt truth, however uncertain, my whole reason for living.
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Without an element of cruelty at the root of every spectacle, the theater is not possible.
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The theater, which is in no thing, but makes use of everything—gestures, sounds, words, screams, light, darkness—rediscovers itself at precisely the point where the mind requires a language to express its manifestations.... To break through language in order to touch life is to create or recreate the theatre.
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Written poetry is worth reading once, and then should be destroyed. Let the dead poets make way for others. Then we might even come to see that it is our veneration for what has already been created, however beautiful and valid it may be, that petrifies us.
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Destroy yourselves, you who are desperate, and you who are tortured in body and soul, abandon all hope. There is no more solace for you in this world. The world lives off your rotting flesh.
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We must believe in a sense of life renewed by the theater, a sense of life in which man fearlessly makes himself master of what does not yet exist, and brings it into being. And everything that has not been born can still be brought to life if we are not satisfied to remain mere recording organisms.
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The Theatre of Cruelty has been created in order to restore to the theatre a passionate and convulsive conception of life, and it is in this sense of violent rigour and extreme condensation of scenic elements that the cruelty on which it is based must be understood. This cruelty, which will be bloody when necessary but not systematically so, can thus be identified with a kind of severe moral purity which is not afraid to pay life the price it must be paid.
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I am a man by virtue of my hands and my feet, my belly, my heart of meat, my stomach whose knots reunite me to the putrefaction of life.
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I do not work within the confines of any realm. I work in the unique moment of duration.
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The truth of life lies in the impulsiveness of matter. The mind of man has been poisoned by concepts. Do not ask him to be content, ask him only to be calm, to believe that he has found his place. But only the madman is really calm.
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Like all magic cultures expressed by appropriate hieroglyphs, the true theater has its shadows too, and, of all languages and all arts, the theater is the only one left whose shadows have shattered their limitations.
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I am adding another language to the spoken language, and I am trying to restore to the language of speech its old magic, its essential spellbinding power, for its mysterious possibilities have been forgotten.
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When I think about myself, my thought seeks itself in the ether of a new space. I am on the moon as others are on their balconies. I participate in planetary gravitation in the fissures of my mind.
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These terrifying forms which advance on me, I feel that the despair they bring is alive. It slips into this nucleus of life beyond which the paths of eternity extend. It is truly an eternal separation. They slip their knives into this center where I feel myself a man, they sever those vital ties which bind me to the dream of my lucid reality.
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This is why true beauty never strikes us directly. The setting sun is beautiful because of all it makes us lose.
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Quote of the day
Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Antonin Artaud
Creative Commons
Born:
September 4, 1896
Died:
March 4, 1948
(aged 51)
Bio:
Antoine Marie Joseph Artaud, better known as Antonine Artaud, was a French dramatist, poet, essayist, actor, and theatre director, widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde.
Known for:
The Theatre and its Double
Antonin Artaud: Selected Writings
Van Gogh: the man suicided by society (1947)
Watchfiends & rack screams
50 Drawings to Murder Magic
Most used words:
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order
cruelty
man
people
theater
society
pains
time
mind
language
human
hell
madman
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