If we didn't want to upset anyone, we would make films about sewing, but even that could be dangerous. But I think finally, in a film, it is how the balance is and the feelings are. But I think there has to be those contrasts and strong things within a film for the total experience.
Bio: Anna Wintour is the English editor-in-chief of American Vogue, a position she has held since 1988. In 2013, she became artistic director for Condé Nast, Vogue's publisher.
