American Artist Quotes

Many nights I stood on the bridge — and in the middle alone — lost — a defenseless prey to the surrounding swarming darkness — crushed by the mountainous black impenetrability of the skyscrapers — here and there lights resembling suspended falls of astral bodies or fantastic splendors of remote rites — shaken by the underground tumult of the trains in perpetual motion, like blood in the arteries—at times, ringing as alarm in a tempest, the shrill sulphurous voice of the trolley wires — now and then strange moanings of appeal from tugboats, guessed more than seen, through the infernal recesses below — I felt deeply moved, as if on the threshold of a new religion or in the presence of a new DIVINITY.

The observer usually will see what his fears and hopes and learning teach him to see. But if he can escape these demands that hold up a mirror to himself, then perhaps some of the implications of the work may be felt. But whatever is seen of felt it should be remembered that for me these paintings had to be something else. It is the price one has to pay for clarity when one's means are honoured only as an instrument of seduction or assault.

Sure he (Fred Astaire) was great, but don't forget that Ginger Rogers did everything he did, backwards... and in high heels.

Though statisticians in our time have never kept the score, Man wants a great deal here below and Woman even more.

I have many ideas for lights. I will paint only lights at night.

The star system has us making pictures with personalities rather than stories, sacrificing everything in order to keep some old bags playing young women.

I had more flow as a designer. I could just drop down into the zone and stay there for hours. With cartooning, I'm constantly coming up for air, procrastinating, looking for reasons not to be doing it. I spend all day granting myself special dispensation, with 'creative process' as my cover story. Carpenters and deli countermen can't do that, so I think they may feel better about themselves at the end of the day.

That's right! You're watching the DVD! So, the coolness of what the bowing man is doing is self-evident to you!

I read the first edition of 'Mein Kampf' when it came out in 1923 and even then I knew Hitler meant what he said. I knew the history of anti-Semitism going back for centuries, and I knew all about pogroms in Russia and Eastern Europe. When I grew up and whent to school in Moscow, I experienced anti-Semitism and the restrictions on where Jews could live and work. Hitler systemized anti-Semitism. Pogroms are my business... Oh yes, I could be a professor of anti-Semitism.

When the cartoonist is trying to talk honestly and seriously about life, then I believe he has a responsibility to think beyond satisfying the market's every whim and desire.

I remember that at one time I always made a drawing before going to bed!! - Of myself I mean - though I finally destroyed most of them.

James McNeill Whistler

For my generation, Judd posed the same problem as Picasso did for the Abstract Expressionists; you either had to go over, under, around, or through him. Conceptual, process, and Earth Art, each in their own way, constituted a rejection of the 'speciﬁc object'.

Black and white are the colors of photography. To me, they symbolize the alternatives of hope and despair to which mankind is forever subjected. Most of my photographs are of people; they are seen simply, as through the eyes of the man in the street. There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough—there has to be vision and the two together can make a good photograph. It is difficult to describe this thin line where matter ends and mind begins.

One of our core beliefs was that significant art could be made by anyone, anywhere and anytime. You didn't have to live and work in New York City to be an artist. It was in line with the philosophy of Outsider art and movements for artistic "localism."

Abstraction and luxury are the guard dogs of the upper class. The upper class wants people to have ambition and gumption because, if you do, you will participate and you'll move through society into a different class structure.

Germany at that time was synonymous with the Holocaust to me and as a Jew it was necessary to face that.

Meditation takes chaos and begins magically morphing it into nothing.

Michael Scott Gallegos

In choosing my materials I wanted to keep an organic feel to the book. Some might consider this an art book, but I was really just trying to give it some life. Having seen what is being printed by majors these days with poor quality paper, I wanted to provide the reader with a book that carries more value near the same price and that can last for generations. Nothing would be more inspiring to me than to know my books are treasured like an heirloom.

Lorin Morgan-Richards

I am really interested in the different ways that language functions... When language begins to break down a little bit, it becomes exciting and communicates in nearly the simplest way that it can function: you are forced to be aware of the sounds and the poetic parts of words. If you deal only with what is known, you'll have redundancy; on the other hand, if you deal only with the unknown, you cannot communicate at all. There is always some combination of the two, and it is how they touch each other that makes communication interesting.

Frank, you are, without doubt, a scarcity. Anyone who looks at the historical record of the juncture of art and technology finds you nearly unaccompanied when it comes to documenting this historical record between the years of the late-1960's up to the early 1990s. Basically there is you, Jack Burnham's book Beyond Modern Sculpture (1968), and Gene Youngblood's reference work Expanded Cinema (1970). Specifically, your books Origins and Development of Kinetic Art (1968), Art, Action and Participation (1975) and Art of the Electronic Age (1993) are indispensable research tools in helping us figure out how art got to where it is today - in your terms virtualized.

Joseph Nechvatal

If not for the long tail, one might mistake a theropod for a big, toothy, marauding bird in the dark. That theropods are birdlike is logical, since birds are their closest living relatives. Remember that next time you eat a drumstick or scramble some eggs.

Gregory Scott Paul

My pictures are not that interesting, nor the subject matter. They are simply a collection of facts; my book is more like a collection of Ready-mades.

The most important thing was the notion of information presentation and the notion of the integration of the audience into the information. One sees oneself exiting form the elevator. If one stands there for 8 seconds, one sees oneself entering the gallery from the elevator again. Now at the same time one is apt to be seeing oneself standing there watching Wipe Cycle. You can watch yourself live watching yourself 8 seconds ago, watching yourself 16 seconds ago, eventually feeling free enough to interact with this matrix realizing one's own potential as an actor.

Just because you're an adult doesn't mean you're grown up. Growing up means being patient, holding your temper, cutting out the self-pity, and quitting with the righteous indignation.'

'Why do so many people seem to love righteous indignation?'

'Because if you can prove you're a victim, all rules are off. You can lash out at people. You don't have to be accountable for anything.

Brandon Stanton

When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out.