The line between art and life should be kept as fluid, and perhaps indistinct, as possible.


"Transfiguration of the Commonplace" by Anna Dezeuze in Variant 22 (Spring 2005).


The line between art and life should be kept as fluid, and perhaps indistinct, as possible.

The line between art and life should be kept as fluid, and perhaps indistinct, as possible.

The line between art and life should be kept as fluid, and perhaps indistinct, as possible.

The line between art and life should be kept as fluid, and perhaps indistinct, as possible.