Much contemporary verse reads like failed short-short stories rather than failed poetry.


Feeling as a Foreign Language: The Good Strangeness of Poetry (ed. 1999)


Much contemporary verse reads like failed short-short stories rather than failed poetry.

Much contemporary verse reads like failed short-short stories rather than failed poetry.

Much contemporary verse reads like failed short-short stories rather than failed poetry.

Much contemporary verse reads like failed short-short stories rather than failed poetry.