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The Development, beginning in measure 132, is a striking example of how difficult it was—even for an exponent of freedom in musical expression like Schumann—to break loose from the shackles of arbitrary form.
Walter Raymond Spalding
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All thought must, directly or indirectly, by way of certain characters, relate ultimately to intuitions, and therefore, with us, to sensibility, because in no other way can an object be given to us.
Immanuel Kant
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